[1]蔡枫.犍陀罗民间文学的多元构成——基于公元1-4世纪雕刻图像的考察[J].江西师范大学学报(哲学社会科学版),2012,(06):101-107.
 CAI Feng.The Multi -composition of Gandhara Folk Literature --An Investigation of Carved Images from the 1 st to the 4th Century A. D.[J].,2012,(06):101-107.
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犍陀罗民间文学的多元构成——基于公元1-4世纪雕刻图像的考察()
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《江西师范大学学报》(哲学社会科学版)[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2012年06期
页码:
101-107
栏目:
出版日期:
2012-12-01

文章信息/Info

Title:
The Multi -composition of Gandhara Folk Literature --An Investigation of Carved Images from the 1 st to the 4th Century A. D.
作者:
蔡枫;
深圳大学印度研究中心,广东深圳,518060
Author(s):
CAI Feng
关键词:
犍陀罗民间文学多元性印度
Keywords:
Gandharafolk literaturediversityIndia
分类号:
I106.7
文献标志码:
A
摘要:
以公元1-4世纪的犍陀罗雕刻图像为研究对象,通过图文互证,剖析这个时期犍陀罗民间文学的构成要素。认为犍陀罗民间文学的核心是印度民间文学,在历史发展过程中,杂糅了波斯民间文学、希腊罗马民间文学等外来民间文学要素。犍陀罗民间文学的多样性源于犍陀罗地区的多元文化语境。犍陀罗地处东西方文化交汇之地,历史上东西各种文明形态交替频仍,宗教信仰驳杂,各种宗教都利用自己的或他人的民间文学进行传教,于是造成犍陀罗民间文学的多样性特征。
Abstract:
This paper takes the Gandharan carved images from the 1st to 4th century A. D. as the re- searching objects, and analyzes the composing elements of Gandharan folk literature in this period through graphic text demonstration. Indian folk literature is the core of Gandharan folk literature. In the process of historical development of carved images, it hybridized the folk literatures of Persian, Greco- Roman and many other exotic elements. The diversity of Gandharan folk literature derives from the multi -culture background of Gandhara area. Gandhara is located in the cultural intersec- of the east and the west. Historically, various Eastern and Western civilizations interchanged dra- matically. There were farraginous religious beliefs and different kinds of religions, which undertook missionary work through their own or exotic folk literature, leading to the diversified characteristics of Gandharan folk literature.

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备注/Memo

备注/Memo:
国家社科基金资助项目“犍陀罗雕刻艺术与民间文学关系考证”(项目编号:09BWW025); 深圳大学人文社会科学基金资助项目《犍陀罗艺术研究学术史》(项目编号:10QNCG08)
更新日期/Last Update: 1900-01-01