[1]木斋.论初唐近体诗形成的宫廷文化属性[J].江西师范大学学报(哲学社会科学版),2013,(01):59-66.
 MU Zhai.On the Cultural Properties of the Court Poetry in the Modern Style during the Early Tang Dynasty[J].,2013,(01):59-66.
点击复制

论初唐近体诗形成的宫廷文化属性()
分享到:

《江西师范大学学报》(哲学社会科学版)[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2013年01期
页码:
59-66
栏目:
出版日期:
2013-01-01

文章信息/Info

Title:
On the Cultural Properties of the Court Poetry in the Modern Style during the Early Tang Dynasty
作者:
木斋;
吉林大学文学院,吉林长春,130012
Author(s):
MU Zhai
关键词:
初唐宫廷诗近体诗文化属性
Keywords:
the early Tang Dynasty court poetry modern style poetry cultural property
分类号:
I206.2
文献标志码:
A
摘要:
从对初唐宫廷诗文化属性的探讨,及近体诗格律化过程的分析可见,近体诗和词体诞生都有鲜明的宫廷文化特质。一向所说的词体产生于民间,既无古人之记载,也无实在之证据,只是个推测。它是一个世纪以来白话文学史观、平民文学、国民文学史观的意识形态支配学术的产物,需要给予反思和批判。
Abstract:
The investigation into the cultural properties of court poetry during the early Tang Dynasty,and the analysis on developing processes of poetic rules and rhythm of modern style,all show that both poetry in modern style and Ci bear distinct cultural properties of court poetry.The consistent allegation that Ci comes from ordinary people has neither any ancient records nor dependable evidences.It is only a conjecture-a view from vernacular literary history,popular literature,and historical literary conception.And it is a product dominated by ideology,which should be rethought profoundly and criticized.

参考文献/References:

[1]木 斋.曲词发生史[M].北京:光明日报出版社,2011.
[2]闻一多.唐诗杂论·宫体诗的自赎[M].上海:上海古籍出版社,1998.
[3]宇文所安.初唐诗[M].北京:三联书店,2004.
[4]余恕诚.唐诗风貌[M].合肥:安徽大学出版社,2005.
[5]罗时进.唐诗演进论[M].南京:江苏古籍出版社,2001.
[6]丁福保.历代诗话续编[M].北京:中华书局,1983.
[7]罗宗强.唐诗小史[M].天津:百花文艺出版社,2008.
[8]赵执信.谈龙录[A].清诗话[M].上海:上海古籍出版社,1963.
[9]全唐诗(第一册)[M].北京:中华书局,1999.
[10]胡应麟.诗薮[M].上海:上海古籍出版社,1958.
[11]韩成武,陈菁怡.杜审言与五律、五排声律的定型[J].中国古代近代文学研究,2003,(6).
[12]骆玉明.壅塞的清除——南朝到唐代诗歌艺术的发展一题[J].中国古代近代文学研究,2003,(9).

备注/Memo

备注/Memo:
国家社科基金一般规划项目“唐五代声诗曲词发生史”(项目编号:09BZW0041)
更新日期/Last Update: 1900-01-01