[1]杨春时.审美现象学视域中的美[J].江西师范大学学报(哲学社会科学版),2016,(03):92-97.
 YANG Chunshi.Beauty From the Perspective of Aesthetic Phenomenology[J].,2016,(03):92-97.
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审美现象学视域中的美()
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《江西师范大学学报》(哲学社会科学版)[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2016年03期
页码:
92-97
栏目:
出版日期:
2016-06-01

文章信息/Info

Title:
Beauty From the Perspective of Aesthetic Phenomenology
作者:
杨春时
厦门大学 人文学院,福建 厦门 361005
Author(s):
YANG Chunshi
College of Humanities,Xiaman University,Xiaman,Fujan 361005,China
关键词:
审美现象学 意向性对象
Keywords:
aesthetic phenomenology beauty object of intentionality
分类号:
I01
文献标志码:
A
摘要:
从现象学的角度考察审美对象,批判实体论的美的本质观。审美是一种现象学直观,所谓美就是一种意向性对象即现象,因而不同于经验对象即表象。作为意向性对象,美就成为本真的世界,它具有虚实同一的性质; 而且美具有主客同一性,从而解决了美的主客观性的难题。同时,作为审美(现象),美也消除了内容与形式的分离,达到了二者的同一。
Abstract:
This article criticizes the essence of beauty of the ontology and investigates the aesthetic object from the perspective of aesthetic phenomenology.Aesthetic appreciation is a phenomenological intuition,which argues that the so-called beauty is the object of intentionality,i.e.phenomenon,differing from the object of experience,i.e.presentation.As the object of intentionality,beauty becomes the authentic world,characterized by the identity of empty and entity.Moreover,beauty is characterized by the identity of object and subject,so that the puzzling question whether beauty is subjective or objective is solved.Meanwhile,beauty,as the aesthetic image,also eli minates the separation between the content and the form,making them identical.

参考文献/References:

[1]〔法〕杜夫海纳.美学与哲学[M].孙 非译.北京:中国社会科学出版社,1986.
[2]〔德〕康 德.判断力批判(上卷)[M].宗白华译.北京:商务印书馆,1987.

备注/Memo

备注/Memo:
收稿日期:2016-03-22作者简介:杨春时(1948-),男,黑龙江哈尔滨人,厦门大学人文学院教授、博士生导师。研究方向为美学和文艺学。
更新日期/Last Update: 1900-01-01