[1]杨志平.“白描”作为画论术语向小说文法术语的转变[J].江西师范大学学报(哲学社会科学版),2012,(04):59-66.
　YANG Zhiping.Bai Miao the Conversion from Painting Theory Terminology to Novel Grammatical Terminology[J].,2012,(04):59-66.
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“白描”作为画论术语向小说文法术语的转变()
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《江西师范大学学报》（哲学社会科学版）[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2012年04期
页码:
59-66
栏目:
出版日期:
2012-10-01

文章信息/Info

Title:
Bai Miao the Conversion from Painting Theory Terminology to Novel Grammatical Terminology
作者:
杨志平;
江西师范大学文学院,江西南昌,330022
Author(s):
YANG Zhiping
关键词:
白描; 画论; 文法; 小说评点
Keywords:
Bai Miao; painting theory; grammar; novel criticism
分类号:
I206.2
文献标志码:
A
摘要:
"白描"是古代画论与小说批评中普遍出现的一个术语。它较早运用于画论领域,既是指一种有别于设色、水墨等类别的画作样式,也是指为达到这种样式而采用的以简略粗线条式描画技法本身。在明代画坛上此种技法大兴之后,转而运用于古代文学尤其是小说批评领域,并在清代小说评点领域作为一种独特的小说文法而频频出现,体现了世情小说的典型特征。
Abstract:
Bai Miao was a common terminology in the ancient painting theory and novel criticism. It was initially applied in the painting theory field, and was referred to both as a painting style differ- ent from coloring, ink painting, etc. and a painting technique using briefly thick lines. This technique boomed in the Ming Dynasty and gained its popularity, and then it was used in the ancient literature, especially in the novel criticism. And as a unique novel grammar terminology in the novel criticism, it was more common in the Qing Dynasty,representing typical characteristics of "human novels".

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备注/Memo

备注/Memo:
2011年度教育部人文社会科学研究项目“中国古代小说文法理论研究”(编号11YJC751104); 2011年度江西省高校人文社会科学研究项目“中国古代小说技法论研究”(编号ZGW1108)
更新日期/Last Update: 1900-01-01