[1]陶水平.深化文艺美学研究 弘扬中华美学精神[J].江西师范大学学报(哲学社会科学版),2015,(03):11-21.
　TaO Shuiping.Deepening the Researches Of Aesthetics Of Literature and Art and PrOmOting the Chinese Aesthetic Spirit[J].,2015,(03):11-21.
点击复制

深化文艺美学研究 弘扬中华美学精神()
分享到：

《江西师范大学学报》（哲学社会科学版）[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2015年03期
页码:
11-21
栏目:
出版日期:
2015-05-01

文章信息/Info

Title:
Deepening the Researches Of Aesthetics Of Literature and Art and PrOmOting the Chinese Aesthetic Spirit
作者:
陶水平;
江西师范大学 当代形态文艺学研究中心,江西 南昌,330022
Author(s):
TaO Shuiping
关键词:
中华美学精神; 兴; 元范畴; 天人合一; 兴论美学; 文艺美学; 生命精神; 超越精神
Keywords:
Chinese aesthetic spirit; “Xing”; archetypaL category; integration of Man and nature; aesthetics on the theory of“Xing”; Literary aesthetics; Life spirit; spirit of transcendence
分类号:
i01
文献标志码:
A
摘要:
美学不仅是一门学问、一门学术,更是一种精神、一种智慧。当代美学研究要实现从知识和学问向精神和智慧的提升,传承与弘扬中华美学精神是必由之路。中华美学是世界上最重视生命价值与精神追求的美学形态,传承与弘扬中华美学精神是当代美学研究的一个重要理论课题,文艺美学理论工作者责无旁贷。"兴"是中华古典文艺美学中最重要最具民族特色的基元性范畴,"兴"论美学是中华古典艺术和美学的文化原型,也是中华美学精神最生动的集中体现,"兴"论美学研究对于彰显中华美学精神具有重要意义。立足文艺美学研究角度,以中华古典兴论美学为例,探讨如何深化文艺美学研究,实现兴论美学的现代转化,使之成为中国当代文艺美学的重要理论基础,从而...
Abstract:
aesthetics is not just a branch of knowLedge and academic study,but it is more than often a spirit and inteLLigence. inheriting and promoting the Chinese aesthetic spirit is the surest way for the contemporary aesthetics studies to achieve the eLevation from just a branch of knowLedge and aca-demic study to a spirit and inteLLigence. Chinese aesthetics,attaching greatest importance in Life vaLue and spirituaL pursuit,is the most significant theoreticaL research project in inheriting and promoting the Chinese aesthetic spirit. accordingLy,there is no shirking the responsibiLity for theorists of aes-thetics of Literature and art.“Xing”is a fundamentaL aesthetic category of traditionaL Chinese aes-thetics of Literature and art that onLy beLongs to Chinese nationaLity. The aesthetics research on the theory of“Xing”is not onLy the cuLturaL archetype of cLassicaL Chinese art and aesthetics but aLso vividLy concentrated refLection of the Chinese aesthetic spirit. accordingLy,it is of primaL significance in shaping and dispLaying the Chinese aesthetic spirit. Based on the perspective of aesthetics of Liter-ature and art,and exempLifying with traditionaL Chinese aesthetics of Literature and art,this thesis tries to expLore how to deepen the research of aesthetics of Literature and art and reaLize modern transforming aesthetics of the aesthetic theory of“Xing”,so as to make it become an important theo-reticaL basis of contemporary Chinese aesthetics of Literature and art,and inherit and promote the Chinese aesthetic spirit.

参考文献/References:

[1]习近平.坚持以人民为中心的创作导向 创作更多无愧于时代的优秀作品[N].人民日报,2014-10-16.
[2]徐复观.中国艺术精神[M].沈阳:春风文艺出版社,1987.
[3]徐复观.中国文学精神[M].上海:上海世纪出版集团,2006.
[4]吕不韦.吕氏春秋全译[M].关贤柱等注译.贵州:贵州人民出版社,1997.
[5]李长之.李长之文集(第三卷)[M].石家庄:河北教育出版社,2006.
[6]王梦鸥.文艺美学[M].台北:台北新风出版社,1971.
[7]宗白华.中国艺术意境之诞生.艺境[M].北京:北京大学出版社,1987.
[8]胡经之.文艺美学[M].北京:北京大学出版社,1989.
[9]袁济喜.论“兴”的审美意义[J].文学遗产,2002,(2).
[10]宗白华.宗白华全集(第3卷)[M].合肥:安徽教育出版社,1994.
[11]李泽厚,刘纲纪.中国美学史(第一册)[M].北京:中国社会科学出版社,1984.
[12]叶 朗.中国美学史大纲[M].上海:上海人民出版社,1985.
[13]叶 朗.现代美学体系[M].北京:北京大学出版社,1999.
[14]陈世骧.陈世骧文存[M].沈阳:辽宁教育出版社,1998.
[15]叶嘉莹.迦陵论诗丛稿[M].石家庄:河北教育出版社,1997.
[16]周英雄.结构主义与中国文学[M].台北:台湾东大图书公司,1983.
[17]周策纵.古巫医与六诗考——中国浪漫文学探源[M].上海:上海古籍出版社,2009.
[18]陈寅恪.致沈兼士[A].陈寅恪集[M].北京:三联书店,2001.
[19]于省吾.甲骨文字黏林[M].北京:中华书局,1996.
[20]彭 锋.诗可以兴:古代宗教、伦理、哲学与艺术的美学阐释[M].北京:北京大学出版社,2003.
[21]宗白华.宗白华全集(第1卷)[M].合肥:安徽教育出版社,1994.
[22]周 宪.美学是什么[M].北京:北京大学出版社,2002.
[23]王夫之.船山全书(第十二册)[M].长沙:岳麓书社,1996.

相似文献/References:

[1]张晶.试论中华美学精神的基本特质[J].江西师范大学学报(哲学社会科学版),2015,(03):3.
　ZHanG Uing.On the Fundamental Characteristics Of the Chinese Aesthetic Spirit[J].,2015,(03):3.
[2]何世剑,袁轶凡.试论中华美学“诗性写意”精神的当代价值[J].江西师范大学学报(哲学社会科学版),2022,(04):112.
　HE Shijian,YUAN Yifan.The Contemporary Value of the Spirit of “Poetic Expression” in Chinese Aesthetics[J].,2022,(03):112.

更新日期/Last Update: 1900-01-01