[1]王力坚.清代才媛红楼题咏的型态分类及其文化意涵[J].江西师范大学学报(哲学社会科学版),2012,(05):48-59.
　WANG Lijian.Classification and Cultural Significance of the Qing Female Poets' Poetic Interpretation of Dream of the Red Chamber[J].,2012,(05):48-59.
点击复制

清代才媛红楼题咏的型态分类及其文化意涵()
分享到：

《江西师范大学学报》（哲学社会科学版）[ISSN:1006-6977/CN:61-1281/TN]

卷:
期数:
2012年05期
页码:
48-59
栏目:
出版日期:
2012-11-01

文章信息/Info

Title:
Classification and Cultural Significance of the Qing Female Poets' Poetic Interpretation of Dream of the Red Chamber
作者:
王力坚;
中央大学中文系,台湾中坜32001
Author(s):
WANG Lijian
关键词:
清代才媛; 红楼题咏; 红楼接受; 型态分类; 文化意涵
Keywords:
the Qing female poets; poetic interpreting on Dream of the Red Chamber; acceptance of Dream of the Red Chamber; classification; cultural significance
分类号:
I206.2
文献标志码:
A
摘要:
题咏为清代才媛最为普遍的红楼接受模式。这种模式灵活运用于各种场合、各种不同的时空情境,表达她们对《红楼梦》各种议题的所感所思。清代才媛的红楼接受,是文学与生活交织的型态,聚焦于《红楼梦》原著的题咏,无疑是缘自才媛自身现实生活体验的有感而发;聚焦于才媛生活的题咏,亦显然是深受《红楼梦》原著潜移默化的影响而形成的现实延伸。清代才媛的红楼接受既有较为充分的自足性亦有相当程度的开放性,而作为一个相对独立的文化现象,清代才媛的红楼题咏与主流(男性)社会的红楼题咏形成对话关系,得到更为丰富多元且别具性别意涵的表述与发展。不仅体现红楼接受的文学/学术意义,还更体现了清代现实的社会文化意义。
Abstract:
The poetic interpreting is the Qing female poets' most common acceptance mode of Dream of the Red Chamber.The mode,by which they express their thoughts of various issues on Dream of the Red Chamber,is flexibly used in various occasions and space-time situation.The Qing female poets' recognition of Dream of the Red Chamber is the interaction on mode of life and literature.When the female poets focus on the original of the novel,they would be touched by expressing feelings on their real life.When they focus on their own life,it would be an extension of the real world unconsciously influenced by "the life of Red Chamber".The late Qing female poets' recognition of Dream of the Red Chamber demonstrates not only self-sufficiency but also open-mindedness.As a relative independent cultural phenomenon,the late Qing female poets' poems play a conversational role interpreting the characters of Dream of the Red with the(patriarchal)mainstream society,thus obtaining a rich and diversified development with the implication of gender ideology.It incarnates not only the literary / academic significance on acceptance of Dream of the Red Chamber,but also the social and cultural significance on the reality in the Qing period.

参考文献/References:

[1]一 粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[2]胡林翼.胡文忠公遗集.抚鄂书牍[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[3]钱 泳.辛壬集[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[4]宋鸣琼.味雪楼诗草[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[5]清冒俊.林下雅音集(五种).花帘词[M].清光绪十年(1884)刻本.
[6]沈善宝.鸿雪楼诗初集[M].北京国家图书馆藏(出版时间不详).
[7]王力坚.清代才媛沈善宝研究[M].台北:里仁书局,2009.
[8]富呢扬阿.《鸿雪楼诗初集》序[A].沈善宝.鸿雪楼诗初集[M].北京国家图书馆藏(出版时间不详).
[9]佟景文.《鸿雪楼诗初集》序[A].沈善宝.鸿雪楼诗初集[M].北京国家图书馆藏(出版时间不详).
[10]扈斯哈里氏.绣馀小草[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[11]富察明义.绿烟琐窗集(抄本)[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[12]汪淑娟.昙华词[A].徐乃昌.小檀栾室汇刻闺秀集[M].光绪二十一年二十二年南陵徐氏刊本.
[13]朱一玄.红楼梦资料汇编[M].天津:南开大学出版社,2006.
[14]恽珠.国朝闺秀正始续集[M].清道光十六年(1836)红香馆刻本.
[15]孙采芙.丛笔轩遗稿[M].清世泽楼光绪丁亥(1887)木活字印本.
[16]季兰韵.楚畹阁集[M].清道光二十七年(1847)刻本.
[17]西园主人.《红楼梦本事诗》附录[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[18]邹 弢.小说之过[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[19]邹 弢.赋秋词[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[20]邹 弢.诗馀双璧[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[21]邹 弢.诗剩[A]周汝昌.红楼梦新证[M].上海:北斗书屋,1964.
[22]邱菽园.菽园赘谈[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[23]周汝昌.红楼梦新证[M].上海:北斗书屋,1964.
[24]倪 鸿.桐阴清话[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[25]孙荪意.衍波词[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[26]森槐南.槐南集[M].东京:文会堂书店,明治四十五年三月.
[27]王人恩.森槐南的题《红楼梦》诗词——森槐南与《红楼梦》补论(之二)[J].红楼梦学刊,2007,(1).
[28]邹弢.三借庐笔谈[A].一粟.红楼梦资料汇编(下册)[M].北京:中华书局,2008.
[29]钟守璞.绣佛楼诗稿[M].清同治八年(1869)刻本.

更新日期/Last Update: 1900-01-01